Tuesday, September 26, 2006

Conversation with Laurent Bernard

I just got off the phone with Laurent Bernard, chocolate maker and owner of Chocolate Factory outlet located at Robertson Quay, Singapore.  I was piqued by a reader's letter published in TODAY (Sep 27) about his/her group of friends being booted out of the cafe by the owner.


Curious to know the story, I called up the shop and was answered by the owner himself.  I explained to him I am writing an article for my company's inhouse magazine and I encountered the less-than-flattering article when I was gathering materials. More to the point, I'd like to ask him about the specific article.


The owner was taken off guard, and after getting my contact, he said he has not read it. I thanked him for his time.


A few minutes later, he called me back, suspicious, verifying that the number I provided him was indeed belonging to my company. Understandble, the chap was used to numerous commendations.


He spoke rapidly in heavy French accents, but I got the gist of it.


He was not happy about the article, but he won't make a comment on it in the papers. And he said, he's already got a lot of good reviews, so he doesn't want anymore, not even good ones.


He was less than impress than I am not a professional reporter, nor working for the media. He also expressed in no uncertain terms what he thought of the newspaper TODAY.


He has his side of the story, which I very much had gathered from the original article - six people, one coffee and one soufflé.  Either it was a very BIG soufflé, or they were obviously going to make the cafe operators very unhappy.


He wanted me to know that any article published his establishment would need their agreement or it's deal with the lawyers. I stood my ground, clarifying and explaining that that is only necessary in certain circumstances, but not when someone is writing about their personal experiences.


I had given up the idea on writing about the Chocolate Factory, but I just wanted him to know that I don't need his permission if I'm just writing about my personal experience at his outlet.


He demanded to know why out of so many favourable reviews, I only asked him about this unfavourable one, or why I am talking to him if I don't see that I need his permission.


I explained that regardless whether a writer is professional or amateur, he should check up on any second-hand information. Anything I write on the Chocolate Factory, is bound to be compared with what readers read about the Chocolate Factory from other sources. I expect of myself to be prepared.


In a way, he reminds me of stereotypical French in fiction when agitated.


I did express to him I am not accepting offending article wholesale, and I, in my own capacity, apologise for certain aspects of the culture in Singapore where people (he did not acknowledge them as customers unless they *patronise* his outlet) occupy places in an establishment without ordering. I mean, only one person ordered coffee and soufflé in a group of 6, I can understand that. Laurent Bernard also informed me that the group he dealt with was, to put it mildly, belligerent - or in a crude local lingo, "ai pah".


He further brought up the incident about the teacher physically booted out at a Thomson outlet, widely reported in the island's media. I expressed my agreement that the teacher was at fault for complaining loudly as she walked slowly out, deliberately wanting to leave only after causing a scene in the restaurant.


Finally, he repeated his earlier offer made to ask me to come to his outlet in person to see for myself how he runs his establishment, offering to treat me to coffee.


Well, when I do go, and probably bringing my family too, I would not let him know I'm there. I'll just leave a note when I depart, letting him my candid reviews. I'm not after freebies, but I do value good service.


I don't necessarily agree with his attitude towards what service means, but I can understand him getting upset, and some people in Singapore do get belligerent when they are at fault. No one is a saint, but some are definitely more out to create trouble than others.


My tummy is growling as I typed this, but I thought I better do so before I forget some of the details.


He talked to me from 12:45pm to about 1:00pm, which I am guessing should be no less one of the busiest time in the dayof his outlet. I suppose he is too emotionally aroused by the offending article, despite having indicated he would not give an official comment about it in the media.

Wednesday, September 20, 2006

Chinese naming of dwarf-planet Eris

So Pluto (冥王星) got reclassified from a planet (行星) into a dwarf-planet (矮行星).


This renaming was in no small measure due to the discovery of other similar bodies in the solar system, one of them formerly known as Xena (齐娜).


Xena is now officially named "Eris" after the mythological Greek goddess of strife (who incited the Trojan War).


I have been wondering what the name would be in Chinese.


According to 齐娜改名厄里斯:被认为是太阳系的不和女神(图), it is temporarily known as 厄里斯 È Lĭ Sī, a phonetical rendering of Eris. A committee of astronomers will determine the final Chinese name of the dwarf-planet.


“厄里斯”仅是音译,按天文学对太阳系天体的命名规律,应该采用意译,最终的译名应由中国天文名词委员 会给予确定,在此之前的译名仅为过渡,特此提请读者注意。


I hope they come up with a good name, soon. Calling the dwarf-planet Eris was really no fault of the planet. I thought it is a shame that women always get blamed for men's mistakes.


If we were to consider all the names of the planets in the solar system in the Chinese language, they are all masculine.


Even Venus, though named after the goddess of love, retained the original Chinese name of 金星, a name which was applied to it since ancient times in Chinese astronomy/astrology/mythology, as it was one of the five planets (excluding Earth) in the solar system visible in the sky from a naked eye. And 金星 was a male deity in Chinese mythology.


The Chinese name for Eris might be the first feminine name for a planet (albeit a dwarf planet) in the solar system.


Note : not all Chinese name for celestial objects are masculine. The weaver star (织女星) is feminine, known as Vega in English, but it is located outside the solar system in the constellation Lyra.

Chinese emperors and assassinations

H


Assassinations had always been part of the political scene in the history of China. This article provides a brief survey at history of assassinations in relation to emperors of Chinese dynasties.


Until the founding of the Qin Dynasty in 221 BC, there were numerous accounts of rulers being victims of political assassinations. During the pre-Qin era, the Central Plains was composed of numerous feudal states, most of them vassals to the King of Zhou.  There was no formal centralization of government, and in each state, the balance of power constantly shifted between the nobles and their rulers.


This was an era of instability as the old tradition of respecting orthodoxy broke down.  Rulers and vassals began contravening their duties to each other.  The powers of rulers of feudal states were not absolute, but depended on support from their vassals.  There were numerous instances of vassals murdering their lieges, thinking to increase their power, only to be faced with universal condemnation for regicide and forced to flee or pay the ultimate punishment.


The lessons from these foolish men were not lost on subsequent generations, and ambitious men learnt it was necessary to make careful advanced preparations if they were to stage a takeover and survive the consequences of their schemes. Rulers too, learnt their station was insufficient to awe underlings from making personal attacks, and began tightening their security.


One of the most successful of these attempts was by Prince Guang from the State of Wu. He laid careful plans to install himself king, and then deployed his assassin, Zhuan Zhu. Zhuan Zhu bypassed the tight security around King Liao of Wu by taking the guise of a cook.  Prince Guang invited the king to a banquet.  Zhuan Zhu hid a sharp dagger in the belly of a fish in the dish he was presenting, which fooled the king’s security checks.  Their successful attempt might well have inspired Jing Ke to do the same against Qin Shihuang three centuries later.


The first emperor of China, Qin Shihuang, was no stranger to assassination attempts. Even before unification, the rulers of the State of Qin had already established very strict rules to protect themselves from being killed in their own court. According to some accounts, the door at the entrance to the Qin court was made of strong magnetic metal, which would make it the world's earliest known metal detecting security measure.


Not only were courtiers attending the court disallowed any weapons, they were forbidden to go on the dais where the Qin ruler sat. Even the armed guards could not enter the court without expressed orders.


These measures actually worked against the Qin ruler during one particular assassination attempt, that by Jing Ke, acting on behalf of Crown Prince Dan of the State of Yan. Jing Ke presented to the court of Qin the head of the Qin renegade general, Fan YüQi, and a strategic map of Yan's territories as a symbol of Yan's supposed submission to Qi.


Allowed to personally present the map to the Qin ruler, Jing Ke unrolled the map and revealed a small dagger hidden within. According to recorded accounts, he tried to take the Qin ruler hostage, but the Qin ruler managed to run, leading both to a merry chase around the dais. The strict rules prevented any of the Qin courtiers from intervening, and the Qin ruler could not summon his guard while evading the assassin. The Qin ruler finally managed to pull out his own sword and fight back, resulting in Jing Ke's being crippled, and then put to death.


This was by no means the only account of Qin Shihuang being a target of assassination. After unification, he often conducted tours of the empire in person, to awe the conquered populace and to see the greatest empire ever known in China's history.


During one tour, while passing through an area known as Bo Lang, an assassin hidden in the brushes was waiting for his carriage to pass. The assassin was a strong man who could fling a heavy mace from a distance to utterly destroy a carriage, killing all within. Fortunately for the Qin ruler, his security precautions included adding a series of decoy carriages. The assassin, acting on the behest of Zhang Liang, a deposed noble from the conquered State of Han, picked a carriage at random and chose the wrong target.


Both the plots of Crown Prince Dan and Zhang Liang were motivated by far more than just to avenge the (near) demise of their respective states. They had hoped that by killing Qin Shihuang, they would destabilise the Qin state and provide a chance to revive their own native states. Crown Prince Dan paid for his failure with his life when the Qin army arrived.


Zhang Liang, however, managed to flee and hide, learning his lesson and realising that such a single action, even if successful, would do his native state no good. The remnants of the State of Han had nothing then to stage a comeback even if the Qin ruler was killed. Zhang Liang decided to abide his time while remaining in hiding and reading up on strategies. After the death of Qin Shihuang, mismanagement by his heir led to widespread rebellion. Zhang Liang offered his talents to the rebel leaders, and was eventually one of the men instrumental in bringing down the Qin and establishing the successor dynasty - Han.


Though Qin Shihuang escaped being assassinated, his successor, Hu Hai, was not so fortunate.  Hu Hai was not the designated heir.  The Crown Prince was Fu Su, who had offended the emperor, and as a result, assigned to the Great Wall construction project at the frontiers.  Hu Hai accompanied Qin Shihuang during the latter’s last inspection tour.  When the first emperor died unexpectedly, Hu Hai’s tutor, the eunuch Zhao Gao, convinced the Prime Minister Li Si to keep the death a secret until they return to the capital, and then forge the late emperor’s will to appoint Hu Hai as heir and to sentence Fu Su to death.  As Fu Su was known to be hostile towards Li Si, the Prime Minister agreed to the conspiracy.


Hu Hai was a weakling and easily influenced by Zhao Gao.  In fact, he depended on Zhao Gao so much that he was a de facto puppet emperor.  Zhao Gao consolidated his hold on the court by steadily removing all oppositions.  Li Si mistakenly fancied himself safe as a fellow conspirator and only realized the error moments before being put to death.


Zhao Gao was skilled in politicking, but he had no ability to govern, nor install able ministers to handle state affairs.  As a result, widespread rebellions broke out, but Zhao Gao kept the news from the emperor.  As the situation turned critical, Zhao Gao became more determined to secure his position the court and carried out an experiment to determine the extent of his influence.  He had a deer presented at the court, claiming it was a fine horse.  Hu Hai thought it was a joke and asked his officials for their opinions.  Some loyal officials refused to be cowed into agreeing with Zhao Gao, but most sided with the eunuch.  Feeling secure, Zhao Gao had those who disagreed with him eliminated, before he proceeded to have the emperor killed in 207 BC.  Zhao Gao thought to continue dominated the court by installing Hu Hai’s son, Zi Ying, as the ruler.  But Zi Ying turned tables and had Zhao Gao killed instead.


There would be two more regicides before the founding of the next stable dynasty, the Han.  When he realised the situation was lost, Zi Ying led his court out to surrender to the rebel leader Liu Bang.  Though Liu Bang accepted the surrender, he had to give up custody of Zi Ying to the strongest rebel leader – Xiang Yü.  Many rebel leaders, including Liu Bang and Xiang Yü, fought under the banner of the previously defunct State of Chu.  The State of Chu had been the most populous state during the Warring States era.  When anti-Qin rebellion broke out, its former citizens had discovered a surviving scion of the royal house of Chu, and rallied under his banner to rise against the Qin.  The scion was conferred upon as King Huai of Chu.   King Huai had promised to make the rebel leader who captured the Qin heartlands as ruler of the territory.  When Liu Bang beat Xiang Yü in capturing the Qin homeland, he incurred great displeasure from the latter.  Greatly outnumbered by Xiang Yü, Liu Bang only managed to pacify the warlord by surrendering all the gains of the Qin heartlands, including Zi Ying.


Xiang Yü promptly had Zi Ying executed.  Before long, he made himself overlord of all the rebel leaders, rendering King Huai a mere nominal superior.  Shortly afterwards, he had King Huai killed.


One factor that Hu Hai, Zi Ying and King Huai had in common was none of them was actually ever in control.  Hu Hai had willingly delegated his authority to Zhao Gao.  The situation was hopeless by the time Zi Ying managed to kill Zhao Gao and regain control of the Qin court.  He suffered the fate common to all kings who lose their kingdoms.  And King Huai was a mere child shepherd when he was discovered by the rebels to be a scion of the Chu royal house.  He had never had any authority, and all decisions were made by his nominal subjects, mostly former courtiers and generals of the Chu State before it was conquered by Qin.


The next dynasty after Qin was the Han.  The founder, Liu Bang, continued numerous measures originally implemented by the Qin to create a strong central government rather than dividing the empire into feudal states.  In the beginning, he had to gain support of other rebel leaders by granting them autonomous fiefdoms covering nearly half the empire.  As he consolidated his power, he eliminated them one by one, usually replacing them with his own relatives and sons to secure the empire for his dynasty.  The result was a strong central government where it was impossible for a usurper to seize power by assassinating the ruling emperor.  Whoever wanted to sit on the throne must stage a rebellion, not just kill the person wearing the crown.


That did not prevent some courtiers from contemplating though.  During the reign of Emperor Wu of Han, an assassination attempt was foiled the minister Jin Ridi.  The conspirators had been pet nobles of the emperor who feared for their future when they lost favour.


During the declining years of the Han Dynasty, a series of young emperors ascended the throne, some barely out of toddlerhood.  Power was in the hands of regents, usually the emperors’ maternal uncles.  One such regent-uncle, Liang Ji, was so arrogant that even the child Emperor Zhi of Han realised the situation was not right.  Unfortunately, the intelligent emperor was not wise enough to keep quiet and blurted out his observations.  As a result, he was poisoned to death by Liang Ji.


In AD 220, the Han Dynasty ended and the era of the Three Kingdoms began.  The last Han emperor was made to give up the Imperial Seal to the Cao family who founded the Wei Dynasty.  But after a couple of generations, the Cao clan also lost control of the court to the Sima clan.


The fourth Wei ruler, Cao Mao, tried to stage a coup against the Sima clan, only to be killed in the process.  The Sima clan’s warrior, Cheng Ji, who did the killing, was executed for regicide in order to maintain appearances.


It was the Jin Dynasty, founded by the Sima clan after deposing the Cao clan rulers, that reunited the empire in AD 280.  However, a poor choice of heir led to the moronic Sima Zhong made the second ruler.  He became a puppet of a series of rivalling ‘regents’, including his own wife, Empress Jia.  Sima Zhong was poisoned to death.  His successor, Sima Chi, was also a puppet for one of the ambitious imperial princes.  Meanwhile, the empire was losing territories with numerous warlords declaring breakaway states.  China entered into an Age of Fragmentation which lasted AD 589.  During this era, many warlords proclaimed themselves as emperors with the backing of their armies, and were just as often, deposed by rival warlords as by members of their own faction through the use of violence, including assassination.


Reunification came in AD 589 when the Sui Dynasty from the north conquered the Chen Dynasty of the south.  Despite official records that the founder Emperor Wen died of illness, it was widely suspected that he was murdered by his son, Yang Guang, in order to seize the throne.  Yang Guang had already successfully blackened name of the original heir, and had himself made the Crown Prince.  He deceived his parents by cultivating the external image of a thrifty and well-behaved gentleman.  But he was secretly a lustful man and rumours had it that he had affairs with his father’s concubine.  By the time Emperor Wen discovered it and tried to change the situation, Yang Guang had already installed his supporters around the ill ruler, and effectively isolated Emperor Wen, making him easy prey.


Yang Guang eventually lost the empire through mismanagement and in its place was established the Tang Dynasty in AD 618.  Yang Guang himself was murdered by his own guards.  His murderers tried to establish their own state amidst all the rebellions, but were eventually killed amidst the chaos.


The first assassination of the Tang emperor occurred  in AD 710.


The first two rulers of the Tang Dynasty were generally able monarchs, but the third ruler Emperor Gaozong came under the influence of his second empress, who was known in history as Wu Zetian.  Wu Zetian’s son, Li Xian, succeeded the throne for a couple of months before being deposed by his mother.  Li Xian’s brother, Li Dan, was placed on the throne next, only to suffer the same fate shortly.  Wu held the reins of power until old age forced her to retire, allowing her son Li Xian to resume the throne.


Li Xian (Emperor Zhongzong)


No emperor, who was in control, of a major Chinese dynasty was ever assassinated. Such a bold claim might be hard to believe, given that there are more than 3,000 years of recorded history of dynasties in China, beginning from the Shang Dynasty until the end of the Qing Dynasty. That is more than three milleniums of near-constant political intrigues and warfare.


Compared to European rulers, emperors in ancient China lived in far bigger palaces and protected by units of imperial guards which are equivalent in headcount to European royal armies. Anyone approaching the emperor underwent stringent physical checks. No weapons were allowed in the monarch's presence except a few who were especially conferred the privilige as a sign of favour. An emperor was never left alone. All his food were specially prepared and tested for poisons.


But the claim rests on two significant disclaimers mentioned :


(1) it refers only to major dynasties, and


(2) only to emperors who were actually in control.


The first disclaimer reduced the period of Chinese history applicable to the claim considerably. A major dynasty here refers to one which controlled the Central Plains (northern half) and south of the Long River (southern half), eras which traditional Chinese historians refer to periods of unification.


The first unified dynasty was the Qin which conquered all her rival states by 221 BC. Hence, rulers from more then 1,000 years of the preceding Zhou and Shang Dynasties were excluded from this claim. The last dynasty was the Qing which ended in 1911.


In between the Qin and Qing dynasties, there were two major Ages of Fragmentation.


The first Age of Fragmentation began with the Three Kingdoms era circa AD 220, and ended with Sui Dynasty's conquest of the Chen Dynasty in AD 589, concluding the Northern-Southern Dynasties era. There was a brief period of unification in between from AD 280-317 under Western Jin.


The second Age of Fragmentation was the period known as Five Dynasties and Ten Kingdoms which lasted from AD 907 when the Tang Dynasty was replaced by the Later Liang Dynasty, until AD 979 when the Song Dynasty conquered the Northern Han Kingdom.


Together, these Ages of Fragmentation lasted more than 400 years. During these eras, numerous rival states contended for power, and many rulers rose, and fell, through the use of violence. The lack of long-term stability rendered the question of the personal safety of a ruler moot.


The second disclaimer excludes the inclusion of rulers in Chinese history who were not actually in control. There was no shortage of emperors in Chinese history who were little more than figureheads.


During these times, power was either in the hands of powerful ministers, or the hands of imperial-in-laws in the form of maternal relatives of the emperors, or the hands of eunuchs. Some emperors found themselves in the situation as they were enthroned when they were minors, with actual powers handled by their regents. Others lost control when they showed more interest in personal pleasures, leaving the state affairs to their ministers.


The reason for excluding them in the survey was the premise that a political assassination's purpose was a power-grab attempt - significance is lost when power was already out of the hands of the victims. The nominal authority of these rulers were never sufficient to guarantee their safety in the first place.


 


Jin mi di - preventing assassination on Emperor Wu


Sui Wen Di - killed by his son, moot?


Empress Wei killing her husband


Song Tai Zu - killed by his brother?


 

Why can't mummy stay home and just be mummy

Hana,


This is one of the most significant question you ask.


The other is why don't we stay in a bigger house.


Daddy has to tell you that he is responsible for our present circumstances.


Daddy had not planned ahead for his family. And Daddy had allowed his parents too much say in the past and trusted them too much.


Daddy had not realised living with them would not be good for our family.


And now, Daddy's name is stuck as a co-owner of the HUDC apartment they live in, where Daddy lived in before we had you.


Daddy's parents had brought Daddy up, but they had been selfish in their decisions later in Daddy's life. Daddy's money was roped in to purchase the HUDC. When Daddy was getting married, he told them he wants to have his own place. They promised him 2 years.


2 years passed. Business was bad, but what was worse is that they had not made any plans for these 2 years.


Furnitures from failed business in Shanghai was sent to a warehouse in Tuas for years, nothing done about them except to accumulate the warehouse fees. And when you were born, they moved the furniture to the HUDC, saying it was only temporary.


That was more than 3 years ago.


Daddy and mummy were given the opportunity to buy our present place, a small one bedroom apartment. We had to move. We could not move back to the HUDC.


We used up our savings to make the downpayment. We stayed as long as possible until we could send you to Tambalog. But finally, mummy had to go back to work.


Everyday when I had to wake you and brother up before sunrise, I regretted my foolishness in the past.


I had not been an overachiever at work, and that is why my salary is not enough for mummy to stay at home or for us to have a bigger house.


I promise you, I will do well, just for all your sakes.

Interview with Fan Wu on the Sunday Times (Singapore), September 10, 2006

Rating:★★★
Category:Other
Chinese author Fan Wu wrote her first novel in her second language and then translated it for the Chinese market.

China-born writer Fan Wu says that at her first class in Stanford University in 1997, she understood only about 10 per cent of what her teacher was saying.

"My English was very bad. I was very nervous for that first quarter and was crying a lot. I really didn't think I would survive," says the 33-year old, laughing. She was doing a one-year master's degree in media studies on a scholarship from the university.

"In China, we started learning English in middle school, but it was only two classes a week, and the teacher's English was terrible. But when you have to survive, you learn fast."

Well, she learnt fast enough to writer a novel in her second language.

February Flowers, about the friendship between two girls in a Guangzhou university in the early 1990s, is the first book released by Picador Asia. This new imprint of Pan Macmillan publishes original writing in English from the region, and translations of contemporary books.

The book is now available at major bookstores here, and will be published in Britain, Canada, Italy and France next year.

Wu also translated February Flowers for the Chinese market earlier this year, and several publishers in China have expressed interest.

The writer, who was in Singapore for two days last week on the tail-end of a two-week book tour of Melbourne, Sydney, Beijing and Hong Kong, says that language was not the greatest obstacle she faced in getting to the United States.

"It was very difficult to get a visa. I had to wait outside the embassy in Guangzhou for two days and two nights," she recalls.

"Out of 600 people, fewer than 20 got a visa. I was lucky to have an acceptance letter from Stanford. I wouldn't even have gotten a passport without it."

Wu, who studied Chinese literature as an undergraduate in Guangzhou and now works full time as an editor with Internet search engine Yahoo! in the US, says she wanted to leave China as she was curious about the world outside.

Now, however, she wants to be back in her homeland. She is trying to persuade her Swedish boyfriend, a manager with an outsourcing firm, to get a job there so they can relocate from San Jose, California, where they live.

"Living in the US for nine years has been an interesting eye-opener, but as a writer I'm curious about what China is going through now," she says.

She considers Nanchang, the capital of Jiangxi province, her home. That is where her parents live. Her teacher father and her biologist mother had been exiled to a farm in the province during the Cultural Revolution of the 1970s. She has four older brothers. Three of them live in Guangzhou and the fourth in Canada.

"In other countries, nothing much happens in 10 years. But in China, rapid changes are happening in a short period. I want to be in touch with all the changes and all the new thinking in China right now."

Her experiences in the US have also made her want to write about China.

"Before I moved here, I thought Americans were open-minded and knew a lot about other cultures. So I was disappointed that many I met were self-centred and not interested in anything happening outside the US.

"I want to show that we are individuals, not products of a government. So I wrote this book for myself and my friends, about the frustration of growing up. In China, we had little understanding of who we were, and never got a chance to understand sexuality."

She says that the erotic tension between her two main female characters developed naturally. "At first, I only wanted to write about a lost friendship, but later, these two characters took me in new directions, and it became more of a coming-of-age novel."

Readers looking for a racy read a la 2001 novel Shanghai Baby by Wei Hui will be disappointed though.

"An American friend read a draft and was serious when he suggested I add some sex," Wu says.

"He said without sex, my book would never get published. I said I couldn't, that if I did that, then this book was no longer my book."

She stresses that the novel was not autobiographical, saying that the events were not drawn from her own life.

"I understand why people would think that, as it is a first book with vivid details," she says, laughing. "I lent Ming a lot of my background. But our experiences are totally different."

It took her three years from 2002 to write February Flowers, and she took 2004 off work to edit it.

"I would have liked to stop working earlier, but I had to get my green card so I couldn't quit," she says.

She also spent the year off writing short stories, two of which will be published by prestigious American journals Granta and The Missouri Review next month.

Wu says that when she returns to China, she hopes to become a full-time writer. She has been signed on by Picador Asia for another book, due at the end of next year.

She is already working on this second novel, which unlike her previous works, will be in Chinese.

"English is my lover but Chinese is my husband, and I don't want to divorce my husband."

Though she declines to say what the book is about, she says that the scope is much larger, and will involve China, the US and other countries.

"I'm very interested in writing about the new generation of Chinese, but to do this, you must write about the past. China is a country burdened with history. No one can really be free of the past."

- Stephanie Yap (ysteph@sph.com.sg)

'I still see myself as Chinese. My boyfriend is Swedish, and I want to show him China. I think if he didn't understand China, he would never understand me.'
- On wanting to return to China

'The language is the easiest part, the most difficult in the mindset. You have to understand a culture in order to write in its language'
- On switching between English and Chinese

'I thought about going to graduate school in China to study journalism or political science. But these are all programmed by the government, and you can't see the real China'
- On why she went abroad for her graduate studies

Monday, September 18, 2006

Riches and Stitches (鳳舞香羅) produced by HK TVB

Rating:★★★★
Category:Other
I still don't have a TV at home but when I caught this show at a friend's house, I was "hooked". Never mind the fact that I miss most of the show, and only caught it if I happen to be at someone else's place with a TV switched on to the channel on weekend, I've watched enough HK dramas in the past to easily make the connection.

At first, I thought it was another copycat of The Bund (上海灘) when Kong Wah (江華/江华), acting as triad deputy leader Wing Ming Tung (荣昊东), foiled an assassination attempt in 1920s Shanghai. Fortunately, the TV was left on and it got more interesting.

Moses Chan (陳豪/陈豪) was cast as Siu Chun Hang (邵晋铿), the protege of a family whose business was being the official tailor and silk supplier to the Qing Imperial family. The family's fortune took a dive when the Qing Dynasty was overthrown.

The first scene that I caught was him deftly applying the family's traditional skills to mend modern clothings. Always interested in such esoteric knowledge, my interest was aroused.

Anne Heung (向海嵐) was cast as Bo Chui Lung (宝翠珑), formerly a princess from the Qing royal house, making a living by running a restaurant serving food reminiscent of the Imperial cuisine.

The second scene was on her explaining her business strategy, and I thought it was too good to be true - a TV series dwelling on professional secrets of traditional Chinese needlecraft and cuisine. Wow, better than Japan Hour. Well, it was too good to be true. If only it was so.

Though I only caught some scenes on and off for the past few weeks, I suppose I must be thankful that each segment I caught dealt in some part either with needlecraft or with food.

As of the last week's airing, Siu Chun Hang's younger brother Siu Chun Cheung (邵晋锵), acted by dashing Michael Tong (唐文龙), had successfully courted or been seduced by the femme vamp of the series, Lang Heung Ling (冷香泠), acted by Melissa Ng (吴美珩). I don't know since I missed that part. His former girlfriend, Hoi Tong (海棠), acted by Gigi Lai (黎姿), now held the torch for the older brother, in a stereotypical silently stoic way.

Now, Marco Ngai (魏骏杰) was no green actor, so when he made his appearance in the show as an apparently servile underling in Wing Ming Tung's triad, I can guess his character was going to have dramatic transformations into probably the main, or second main, villain.

This TVB series was popular enough to have fans creating websites in English, which was how I came to http://www.richesnstitches.8k.com/main.html

Now that the major conflict had been revealed, going by past experience, the interesting trivias of Chinese culture would probably be seen less and less, overtaken completely by plot development, action, conflict, character culling and the final resolution.

I don't think I'll bother about the show anymore, just watch if I happen to see it on someone else's TV.

SPOILER ALERT
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So according to fansites, Kong Wah and Siu Chun Hang both survived to the end of the series and both pursued Bo Chui Lung to the very last scene. And apparently, the series did not reveal her decision.

I wonder if it was the producers just trying to include some *artistic* element into the show which I suppose, despite the promising starts which I caught, was ultimately just an entertainment.

Sunday, September 17, 2006

To the zoo on consecutive days

It has been a long time since we brought Snowylass to the zoo. So after several meaningful hints from Snowylady, I promised that weather permitting, we'd go the zoo last weekend, regardless of whether I manage to ballot for the company's Friends of the Zoo Corporate pass (which I had been unsuccessful the last few times).


And on Friday, a voice message on my office phone duly informed me that I did get the pass. Wow, that's a savings of S$37.50 for the entrance fee. But of course, I got to offset the costs incurred in me driving over to the company's HQ some 11 km away to get the pass, and back, and another return trip on Monday to return the pass. And since the Zoo revamped their rates and Corporate programs, the Corporate card don't include free-parking or discount on tram rides inside. We'll probably apply for a family Friends of the Zoo pass when the kids are older.


Grandma volunteered to cook the porridge for Snowylad, knowing that me and wifey are usually quite zonked out on weekend mornings. That was very helpful as the recent rain prevented us doing laundry, so we had to send it to the laundramat Saturday morning, before going to the zoo.


Despite the errands we had to run, me aware that to a kid full of anticipation like Snowylass, errands are interminable delays, we made it to the zoo.


One thing I immediately realised is that 2 adults bringing 2 young kids (a 3-yr old and a 9-month old) to the zoo, the physical obstacles become rather accentuated. There had been numerous physical changes to the zoo over the years, one of them being making the zoo look more like part of the jungle rather than a park with well manicured lawns.


All well and good, I always thought the animals would fare better in environments closer to their natural environments in the wild.


Unfortunately, the makeover also highlighted to me that all these efforts made the crampness of the spaces the animals are confined to all the more obvious.


Other than the few species of free-roaming fauna such as orang-utans, most animals still look downright miserable in their enclosures, especially the larger ones like the white tigers, the lions, the polar bears (which incidentally would be moved to another zoo since the vets confirmed they are not doing well in Singapore, the Zoo announced they would not take in anymore artic animals and concentrate of developing a tropical zoo).


On the one hand, I appreciate being able to show the animals in real life to my kids without having to go to an African or Indian safari, which I cannot afford.


On the other hand, I just don't think that is sufficient justification for confining these animals.


Singapore is small, but IMO, it has too many golf courses occupying too much spaces - spaces which would have been better used for a bigger zoo.


The present zoo claims to take more than the area of 35 football fields. That is still smaller than many golf courses. I thought the tigers should be given at least 3 football field size area.


Moving on, we managed to catch part of the Wonders of the Wild animal show, missing the beginning as we moved rather slowly and the amphitheatre is on the other end of the zoo. I must say that the change in contents was something to be thankful for - for the last few times I visited in recent years, it was always the same programme. But having a staff dressed as a jungle-dwelling native of SE Asia was ridiculous.


After the Wonders of the Wild, we moved leisurely to the Elephant Show next door. We were early for the show, but it was fortunate we came before the scheduled time, for we caught the elephants as they were painting. Yes, painting, with paintbrushes, oil/water colours, on white drawing papers. And these were random brushes but actual pictures of flowers, better than what 3-year old Snowylass could produce.


I'm not sure how the elephants were trained, but they did look like they knew what they were doing, pausing during their work, pacing around etc., Fortunately, none of them smoked like many human artists do. I am very approving of the zoo designated the whole park non-smoking. It was quite a sight too, seeing one of the elephants pooping with its back facing towards us.


All too soon, we had to head back to the entrance to feed the children. I forgot to bring the porridge from the car, hence we had to go back. All the commercial expansion of the zoo meant there were plenty of tables and chairs we could sit on to feed the kids without having to dine at a particular outlet. The prices they charge are obscene. There was a Cheers minimart, supposedly part of the NTUC Supermarket chain, but charging S$2 for a small-sized bottled water.


And that was Day One. It was fortunate we went in the morning, for it rained cats and dogs in the late afternoon.


The rain continued the next morning. By then, Snowylady was quite tired out and it was decided so that we do not disappoint Snowylass, I would bring her to the zoo myself, after she had her nap. Snowylass must have been tired out too, for she napped for 3 hours, much longer than usual. By the time she woke up, I had to burn rubber to get to the zoo.


I found the second day easier to move around with only 2 of us. I know I'd be accused of spoiling her, but I found it even easier after purchasing the tram tickets. One of her favourite zoo song was "The Zoo Train". Okay, so I indulged her. Besides, we were running late to catch the last show of the day.


Despite the tram, we only managed to get the last bit of the Animal Friends show (also at the other end of the zoo from the entrance), and I had to carry Snowylass on my shoulders to look over the crowds.


Not much time for leisurely look as the skies began to darken. At least Snowylass caught sight of the zebras, the giraffes and the lions, albeit from the tram. She really wanted to see the koalas, but the zoo staff we enquired do not seem to know whether they had any. The Australian outback section was the only chance, but nope, no koalas.


I suppose it was some sort of sensitivity on the part of the zoo that they got the smaller kangaroos. In the past, they had the big ones, but those would have been miserable at the small confines.


The most important visit of the day though, was to being Snowylass to say goodbye to the Polar Bears. As of now, Inuka would be moved to another zoo after the death of his 29-year old mother, Sheba. Sheba is deemed too old to be moved, and polar bear in captivity have a life-expectation of 25 years.


I thought of how important it was to show Snowylass and let her know about animals, and the fact that many of them do not fare well in captivity, even in a zoo which try its best, like Singapore's.


As for myself, I have decided unless I can afford really big spaces, I won't even keep fishes.


Animals, like humans, have natural biological cycles. Neutering them seem like a very selfish act, an indication that the pet is there only to serve the humans. Even if they are not neutered, most would be deprived of living according to their natural biological cycles. And those that were allowed to mate and bear children would see their children taken away from them soon after birth.


Coincidentally, Snowylass returned on Monday after childcare with a note from the school indicating they were preparing the children for a trip to the zoo. She would be delirious when it happens.

Monday, September 11, 2006

Worst 4 hours of 2006 (hopefully)

8pm, and it was quite a record today, I thought, to have managed to tuck Snowylad to sleep by that time.


There I was sitting to finish off a few pieces of sesame chicken and kai-lan from dinner (I really hate to waste food, I won't if possible). Snowylady was reading the mails and Snowylass decided to climb onto a chair.


And before I realised it, she pushed her weight too far and caused the chair to topple over. CRASH!!!


Happened before. She cried, just like before.


But this time, there was blood under her. Spreading ...


I quickly picked her up and saw she got a deep cut along her chin.


I panicked and it was Snowylady who ordered me to get a towel while she carried our wailing daughter. And the towel didn't stop the bleeding.


Snowylady voiced my worst fears - stitching might be needed.


We got 2 young kids, and the older one was badly hurt and crying had to be carried.


With no other adults we could turn to, we had to call a cab instead of driving to the doctor, so that each parent can carry one child. It was not much use asking a neighbour to watch over the sleeping Snowylad, the little chap would wake up at irregular hours and ask to be nursed.


The GP was crowded. I was in a really foul mood. Snowylass had recovered and happily played with some toys at the GP. Unfortunately, she was careless and did not watch her balance, and stumbled again. She was in no pain, just a normal fall and would have continued playing. But I reacted very strongly, reprimanding her for being careless just after promising to be careful. My real anger was at the thought of her being sewn up.


Sure enough, when we finally saw the GP, not only did he recommend stitching, he also advised us to bring her to the hospital to get a better job done.


So it's off to the hospital. Meanwhile, Snowylad had woken up soon after we got to the GP and totally missing his sleep, despite being sleepy. Mummy got double burden as both kids vied to be carried by her.


And as things would have it, the Children's Emergency at NUH was under renovation and the section merged with the adults'.


After a long wait, we managed to see the doctor. The young chap hoped that tissue glue would suffice, but seeing the shape of the open wound, he reconsidered and asked us to wait while he arranged for an X-ray to see if there's anything else to be concerned about. Meanwhile, no food and drink for Snowylass.


After another long wait, an apparently senior doctor returned. There was only 1 doctor for the children's emergency when we arrived as the rest were tranferred to attend a life-and-death emergency to resuscitate a patient.


Thanks be to God, the senior doctor confidently showed the young doctor how tissue glue would do the job. Snowylass cried and mummy had to lie down with her. I had to carry Snowylad, the poor boy still awake at 11:30pm.


It was past midnight when we got back. I am wondering if I should still let her go to childcare tomorrow. I am wondering if I should ban her from climbing chairs. I am wondering if I should send her for ballet and gymnastics so that she don't fall and hurt herself.


Right now, the family is asleep except me who's taking some time off from picking up the house and posting this.


Hopefully, the worst 4 hours of 2006 is over. Gone. No more.

My favourite (so far) quotes from Mark Twain's 'Adventures of Tom Sawyer'

http://www.mtwain.com/Adventures_Of_Tom_Sawyer/2.html


"He had discovered a great law of human action, without knowing it--namely, that in order to make a man or a boy covet a thing, it is only necessary to make the thing difficult to attain. If he had been a great and wise philosopher, like the writer of this book, he would now have comprehended that Work consists of whatever a body is OBLIGED to do, and that Play consists of whatever a body is not obliged to do. And this would help him to understand why constructing artificial flowers or performing on a tread-mill is work, while rolling ten-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service, that would turn it into work and then they would resign."


Chapter 2, Adventures of Tom Sawyer (1876), Mark Twain

Sunday, September 10, 2006

Timely reminder for guys on appreciating how women are different ... and special

This article from the New Paper is a timely reminder to guys on *appreciating* how women are different ... and special.


2 weeks ago, Snowylady was just talking about bridal gowns with her married female colleagues. Though they differed on whether they'd want to re-live the experience again, they all agreed that wearing the gown was like an ultimate fantasy come true.


Perhaps ... it's time ... for me ... to take her out ... to try new wedding gowns ... huh?


But I really don't want our 3-year old Snowy lass to start getting too much ideas into her head. I'm not sure if she's aware that her mummy's wedding gown was bought for keeps. The last time we took it out was to give some ideas to her brother's fiance for their wedding.


 


It's an interesting article, and I'll make a copy of it here.


GOT GROOM?
GOT WEDDING DATE?
GOT BRIDAL GOWN? 
They have no Mr Right in sight, but this doesn't stop wannabe S'pore brides from spending lunch hours & weekends shopping for wedding dresses
By Caravan Miriah
 
September 11, 2006
 
IS IT the Singapore single's day dream?
Humming the Wedding March in her head. Watching reruns of the movie, The Wedding Planner.


Picturing the big day.


 


But others are taking it one step further by shopping around for the perfect wedding dress - even though there is no wedding or groom in sight.



Sattine Bridal Couture, a 2-year-old bridal boutique along Tanjong Pagar Road, has seen its fair share of wannabe brides in their mid-20s and early 30s.


Its chief designer Danny Lim, 26, told The New Paper on Sunday: 'I know they are not getting married any time soon because they don't have a wedding date when I ask them.


'While brides-to-be usually show up with their boyfriends or parents, these girls drop by the shop with their single girlfriends. They blush when they say they're still looking for Mr Right.'


FANTASY


Once in the shop, they pick their gowns and try them on, Mr Lim said. 'They want to know not just how they look, but how special it feels to wear one. Half of their fantasy is fulfilled when they put on the gown. I can see their faces light up.'


An owner of a 6-month-old high-fashion bridal boutique along Beach Road, who does not want to be named, observed that these girls usually window-shopped during lunch hours. 'They'll try on three to four wedding gowns - the toga, off-shoulder and bare-back designs. This is the closest they get to high fashion. After all, how often does an office girl get to doll up in glamorous outfits, right?'


If the woman is the sort who believes in the happy-ever-after, the more susceptible she'll be to the satin-and-lace temptation.


In the US, women make a beeline every year for Filene's Basement bridal gown sale across the country. (See picture above right.)


There, more than 1,000 gowns from various designers go for about US$249 ($390) each.


Two hours before the store opens at 8am, hundreds of women - singles included - are waiting anxiously to make a dash.


In less than 60 seconds, the shelves will be stripped bare, reported WeddingBasics.com.


A designer bridal basement sale has yet to happen here, but wannabe brides are already making their rounds at bridal shops along Tangjong Pagar Road, observes fashion stylist Zephron Chong, 29, who works for Vanity bridal shop.


He said: 'You see them going from one boutique to another to try on gowns during lunch time and over the weekends. Every few months, I see some familiar faces.


'Each time I ask them if they need other services like makeup, styling or photography, they just say they are looking around, and there isn't a man or wedding date at all.'


Some even show up at bridal shows - without a man, of course.


A spokesman for a high-end bridal boutique along Beach Road said: 'I organise about eight bridal shows a year for couples who pay between $15 to $30 per show.


'At each show, I see small groups of single women. Among them are faces who have visited my bridal boutique to try on gowns. We ask them if they need help for the big day.


But they say there isn't any date.'


The fashion shows allow them to stay abreast of the latest bridal collections, said Mr Ted Wu, 35, who has also seen these dream-chasers at his shop, Ted Wu Boutique, at Tras Street.


Out of 500 guests who pay between $18 to $35 for a bridal show, about 30 to 40 are single girls, said the creative director for a bridal boutique on Orchard Road.


She said: 'I had a customer in her 20s, who walked into the shop with a scrapbook of our ads in Her World Brides magazine from many years ago.


'She confessed that she'd been collecting them way before she had a boyfriend.


'She wanted me to custom-make a particular gown which appeared in an ad four years ago for her upcoming wedding. She had been eyeing it for a long time.'


Wedding shows are opportunities for these wannabe brides to do their homework.


They can find out the best wedding packages, added Ms Annah Teo, 38, owner of Allure Charix at Amoy Street.


She explained: 'It's also a perfect day out for them. They can round up a few single gal pals, enjoy an afternoon tea, and discuss which dress suits them.'


While most browse or try on gowns, some even buy.


Ms Teo revealed: 'These girls know what they want because they read the latest bridal magazines.


So old-fashioned designs like pink multi-tier bridal dresses are out.


'The popular ones include the strapless and princess-cut designs, which are easy to maintain.


''The women fork out at least $499 for a wedding gown. Some told me that they bought the dress because they wanted to wear them for a makeover.'


Now hang on, if Chinese superstitions dictate that it's bad luck to try a wedding gown when you are not getting married (if you do, you'll never tie the knot, warned the old wives), isn't it worse to own one?


UNLUCKY


One wannabe bride, Celine (who doesn't want to be fully identified), told The New Paper on Sunday: 'I won't dare tell my mum that I've tried on a few gowns. I hide the bridal magazines in my cupboard. If she finds out, all hell will break loose.


'For her, wearing a wedding gown is suay (unlucky). She also discourages me from being a bridesmaid more than once because she fears I will never get married.


'But I am not superstitious. I try on the gowns for fun,' said Celine.


Most of the time, bridal boutiques are understanding.


Mr Wu said: 'Once, a woman in her 30s wanted to borrow and wear one of my gowns for a photoshoot. She told me that she might never get married because she hadn't met the right man. Her wish was to take a picture of herself in a wedding gown for keepsake.


'So I lent it to her,' he said.


 


--------------------------------------------------------------------------------
'It's like starring in their own romantic movies'


WHAT propels a single woman to go after a wedding gown when there is no man in her life?


To Ms Annah Teo of Allure Charix, 'the girls are just buying a dream until Prince Charming comes along and sweeps them off their feet.'


Dr Adrian Wang, a consultant psychiatrist at Gleneagles Medical Centre, said: 'These women may have grown up on a diet of fairy tales. It is a dream come true for them to get married.


'The wedding is probably the biggest event of their lives.'


They could be lonely and it's one way to keep busy. In their heads, they already have an idea of how they want everything to turn out.


NO HARM


'Planning a wedding is close to starring in their own romantic movie for these women,' Dr Wang added.



--AFP
'There is no harm building sand castles in the air - so long as these are done in moderation.


'It's worrying only when you make a career out of it. That means you devote your free time organising your wedding and taking time off from work to visit bridal shops. Then, it's time for a reality check.'


He warned that having such fixed ideas of a wedding may set a woman up for disappointment.


'If it doesn't turn out the way you want it to, you may feel like a failure.


'As much as couples fuss over their wedding day, they should also realise that it's the marriage that counts. Not the dress.'

Monday, September 4, 2006

Chinese Nail Murders, The

Rating:★★★★
Category:Books
Genre: Mystery & Thrillers
Author:Robert Hans van Gulik
This is one of the sadder stories of Judge Dee from van Gulik.

In this story, Judge Dee was appointed to the city of Pei-chow (北州), a fictional location. Pei-chow was once at the frontier of the Tang Empire, but Imperial expansion had pushed the borders further north by 200 miles. His last appointment being a true border town of Lan-fang (兰芳), Judge Dee was finding his new assignment rather mundane when three vexing cases occurred in quick successions, testing not only his detective abilities, but also requiring his to put his professional reputation and life at stake.

The Case of the Headless Corpse saw the two Yeh brothers accusing their brother-in-law Pan Feng of murdering his wife, who was their sister. The body was discovered without a head.

The Case of the Paper Cat took its name from the clue left behind by a murdered pugilist, in the form of the seven-puzzle pieces assembled in a shape resembling a cat.

Unlike the previous two cases, the Case of the Murdered Merchant was one which was not an official case but an old, apparently natural, death which the Judge himself suspected to have been murder. The problem was he could find no proof it was murder, even though he took a risk and ordered an exhumation to re-examine the body for signs of poisoning. Since he had no evidence of foul play, his insistence of opening a case against the widow and exhuming the body would demand he pay for it in the most severe manner.

One final case which was already in progress when the story began was the case of the missing girl.

All the above cases were inspired by accounts of Chinese tales of crimes such as Tang Yin Bi Si.

What made this novel sad was the re-interpretation by van Gulik to flesh out the cases, giving very strong characterisations and created a moral delimna for the Judge to convict someone who had committed a crime to save herself, but voluntarily hinted her modus operandi to the Judge to enable him not only to solve a crime, but save his life and professional standing, knowing full well that the Judge would not overlook to question her own familiarity with the criminal technique.

The title of the book was a giveaway clue to the modus operandi, and in Chinese accounts, there were 2 versions to the case. One was resolved by the judge's own keen observation, the other was through a similar hint as used by van Gulik in this book.

Van Gulik took the second version and developed it further, adding significant human drama to cause the readers to empathise with conflicting emotions between serving the blindfolded Lady of Justice and the natural human reaction to take matters into their own hands.

For followers of van Gulik's Judge Dee series, this is also one where a major recurring character is killed off. I am not sure why van Gulik chose to do that. The death of the character served little in the way of solving the case, but it seemed that van Gulik himself experienced some sort of crisis in real life that he transpolated into his protagonist.

The conclusion of the novel saw the Judge feeling worn out, emotionally exhausted by the decisions he had to make, the loss of his long-time companion, and a sense of loneliness that could not go away. It was a stark contrast to the previous endings where he enjoyed a strong sense of satisfaction of having done his job and serving the people and serving justice.